{"id":63108,"date":"2024-09-25T08:00:41","date_gmt":"2024-09-25T06:00:41","guid":{"rendered":"https:\/\/dzogchentoday.org\/?p=63108"},"modified":"2024-09-22T13:54:29","modified_gmt":"2024-09-22T11:54:29","slug":"i-broke-the-code","status":"publish","type":"post","link":"https:\/\/dzogchentoday.org\/fr\/i-broke-the-code\/","title":{"rendered":"I broke the code"},"content":{"rendered":"

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La victoire de Nemo \u00e0 l\u2019Eurovision avec \u00abI broke the code\u00bb\u00a0 a permis de remettre \u00e0 jour un des fondamentaux de notre culture : l\u2019iconoclasme.<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Feature 14″ _builder_version=”4.16″ min_height=”695px” custom_margin=”-1px|||||” custom_padding=”0px||49px|||” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”2_3,1_3″ use_custom_gutter=”on” gutter_width=”2″ make_equal=”on” _builder_version=”4.16″ custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”2_3″ module_class=”column1″ _builder_version=”4.16″ custom_padding=”|||” custom_padding_tablet=”||50px|” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” global_colors_info=”{}” padding_tablet=”||50px|” padding_last_edited=”on|tablet” custom_padding__hover=”|||” padding_phone=”||50px|”][et_pb_text quote_border_weight=”0px” quote_border_color=”rgba(0,0,0,0)” module_id=”up2″ _builder_version=”4.27.0″ text_font=”Montserrat||||||||” text_font_size=”18px” text_line_height=”1.8em” link_font=”Montserrat|700||||||#BF9E77|” link_text_color=”#BF9E77″ link_font_size=”18px” link_line_height=”1.8em” quote_font=”Cormorant Garamond|700|||||||” quote_text_color=”#13204d” quote_line_height=”1.3em” header_font=”|700|||||||” header_2_font=”Quattrocento Sans|700|||||||” header_2_text_color=”#13204d” header_2_line_height=”1.6em” header_3_font=”|700|||||||” header_3_text_color=”#000000″ header_4_letter_spacing=”12px” header_5_font=”|300|||||||” header_5_text_color=”#bfbfbf” header_5_letter_spacing=”12px” header_6_font=”|700|||||||” header_6_letter_spacing=”12px” module_alignment=”left” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”29px||29px||true|” quote_font_size_tablet=”” quote_font_size_phone=”” quote_font_size_last_edited=”on|desktop” saved_tabs=”all” locked=”off” global_colors_info=”{}”]<\/p>\n

S\u00e9rie \u00ab Le chemin spirituel dans le Dzogch\u00e8n \u00bb<\/h5>\n

Commencer le chemin du Dzogch\u00e8n<\/span><\/p>\n

<\/span><\/p>\n

I broke the code<\/h2>\n

La r\u00e9cente victoire de Nemo \u00e0 l\u2019Eurovision avec le morceau \u00ab\u00a0I broke the code\u00a0\u00bb<\/a>\u00a0 a permis de (re)mettre au jour un des fondamentaux de notre culture r\u00e9cente : l\u2019iconoclasme. Mouvement culturel enlev\u00e9, plein d\u2019un \u00e9lan punk quoique rationaliste, cet \u201ciconoclasme\u201d pr\u00e9sente la r\u00e9bellion comme quelque chose de d\u00e9sirable : une forme de sauvagerie spontan\u00e9e, inscrite comme une libert\u00e9 premi\u00e8re s\u2019affranchissant des pouvoirs et des codes. C\u2019est notre envie de \u00ab\u00a0tout foutre en l\u2019air\u00a0\u00bb, en rebelles individualistes. C\u2019est notre individualisme : c\u2019est, en nous, l\u2019individu qui fait syst\u00e8me (-isme) et s\u2019\u00e9prend d\u2019une libert\u00e9 qui lui semble infinie. C\u2019est cette envie qui est syst\u00e9matiquement pr\u00e9sente en nous, automatique dans toutes nos t\u00e2ches, actions et pens\u00e9es.<\/p>\n

Depuis au moins le XVIII\u00e8me si\u00e8cle avec les Lumi\u00e8res et au XIX\u00e8me avec une certaine interpr\u00e9tation de la pens\u00e9e nietzsch\u00e9enne, la pens\u00e9e iconoclaste a pris de l\u2019ampleur et est devenue comme une seconde nature chez nous. Nous aimons ceux qui sortent de l\u2019ordinaire, qui flirtent avec l\u2019interdit, qui brisent la norme. A contrario<\/em>, le normatif de la loi et le r\u00e9gulier de la r\u00e8gle nous paraissent \u00ab\u00a0rigides\u00a0\u00bb, froids, ennuyeux, \u2014 somme toute peu productifs \u2014, comme ne poss\u00e9dant aucun dynamisme, aucun principe innovant ou r\u00e9juv\u00e9nateur.\u00a0<\/p>\n

\n

“La libert\u00e9 est un de nos dieux, un concept-pivot, axial, sur lequel est ent\u00e9 notre d\u00e9sir-attachement et notre soif de plaisir.”<\/span><\/p>\n

\n

\n

\n

\n

\n<\/blockquote>\n

Or nous associons le dynamisme \u00e0 la libert\u00e9, et la libert\u00e9 est bien le tr\u00e9sor culturel que nous ch\u00e9rissons. La libert\u00e9 est un de nos dieux, un concept-pivot, axial, sur lequel est ent\u00e9 notre d\u00e9sir-attachement et notre soif de plaisir ; mais pour autant, et bien malgr\u00e9 nous, il s\u2019agit d\u2019une libert\u00e9 individuelle, une libert\u00e9 de choisir, ce que le \u00ab\u00a0moi\u00a0\u00bb, d\u00e9termin\u00e9 et conditionn\u00e9 par une cha\u00eene multi-factorielle infinie de causes et de conditions, a \u00ab\u00a0librement d\u00e9cid\u00e9\u00a0\u00bb de faire. On voit l\u2019ironie de cette fausse libert\u00e9 qui ne r\u00e9siste gu\u00e8re \u00e0 l\u2019analyse\u2026<\/p>\n

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En effet dans la tradition, le libre-arbitre n\u2019existe pas.<\/p>\n

Voil\u00e0 pourquoi, dans notre optique culturelle, toute tradition est doublement suspecte :<\/p>\n

    \n
  • premi\u00e8rement car une tradition est faite de r\u00e9duplication de l\u2019ancien, de norme, de coutumes : premier soup\u00e7on !<\/li>\n
  • deuxi\u00e8mement car cette tradition expose que le moi illusoire n\u2019a aucune libert\u00e9 de choisir, \u00e9tant compl\u00e8tement conditionn\u00e9 dans le moindre de ses actes corporels, pens\u00e9es mentales et exp\u00e9riences sensitives : second soup\u00e7on !<\/li>\n<\/ul>\n

    Ainsi, si \u201cmoi\u201d croit vraiment avoir le-droit-et-la-libert\u00e9 de choisir, la tradition nous d\u00e9clare alors qu\u2019il s\u2019agit du pi\u00e8ge supr\u00eame, dont il est extr\u00eamement difficile de se lib\u00e9rer : celui de la fausse libert\u00e9 – ultime soup\u00e7on !<\/p>\n

    Une tradition qui nous dit quelque chose en profonde opposition avec ce que notre culture promeut, ne peut \u00eatre que d\u00e9plaisante.<\/p>\n

    Et pourtant\u2026\u00a0<\/span><\/p>\n

     <\/p>\n

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    La tradition Dzogch\u00e8n a ceci de d\u00e9jant\u00e9 qu\u2019elle roule hors norme, sur les rails de la dynamique de l\u2019\u00e9vidence primordiale, sauvagerie qui n\u2019a pas \u00e0 s\u2019opposer duellement \u00e0 quoi que ce soit ; \u00e9tant la nature de tout pouvoir ou toute r\u00e8gle, elle ne consid\u00e8re pas qu\u2019il y ait \u00e0 affronter quoi que ce soit, et donc, n\u2019a rien \u00e0 briser ; car selon le Dzogch\u00e8n, vouloir briser tout code, tout objet conditionn\u00e9 illusoire, ne sera qu\u2019une volont\u00e9 conditionn\u00e9e illusoire suppl\u00e9mentaire dans la longue cha\u00eene des volont\u00e9s de sortir-et-rentrer dans des rapports de pouvoir.<\/p>\n

    Bien plut\u00f4t, l\u2019exp\u00e9rience de l\u2019\u00e9vidence primordiale est celle qui, lorsqu\u2019elle jaillit, appara\u00eet comme \u00e9tant la base de toutes les r\u00e8gles et d\u00e9r\u00e8glements, \u00e9volutions et r\u00e9volutions, codes de la route et sorties de route ; base sauvage indompt\u00e9e car n\u2019\u00e9tant adoss\u00e9e \u00e0 aucun conditionnement ant\u00e9rieur ; libre donc, m\u00eame si d\u2019une libert\u00e9 tr\u00e8s diff\u00e9rente de celle que notre conception culturelle con\u00e7oit\u2026<\/p>\n

    \u2026libre m\u00eame de sa propre conception, donc, sans concept, et au-del\u00e0 de toute libert\u00e9.<\/p>\n

    <\/em><\/p>\n

     <\/p>\n

     <\/p>\n

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     <\/p>\n

    \u00a0<\/span><\/p>\n

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    Plus d’articles<\/h2>\n

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