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Here is An interview with Philippe Cornu conducted by the Translation Committee’s junior translators Gregoire and Paul over a cafe gourmand.<\/p>\n
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The young translators on the Dzogchen Today! translation committee asked questions about translation and the background knowledge needed to practice it. And Philippe Cornu, our senior translator, kindly took the time to answer over lunch at La Libert\u00e9 restaurant. So this transcript may contain a few fork taps, for which we apologize… Dessert was the usual gourmet coffee, but it was Philippe’s words that really got us talking.<\/strong><\/p>\n <\/p>\n GR\u00c9GOIRE<\/p>\n What do you have to pass on to the younger generations? What have you learnt from all this time spent translating Dzogchen texts? What would you like to pass on to us?<\/p>\n PHILIPPE<\/p>\n It is already a question of understanding what the Dzogchen is telling us. From the point of view of transmission through translation, the terms must be clarified by understanding them for what they are in the source language, in order to be able to restore not only the formal dimension but also the performative dimension in the target language. The peculiarity of Dzogchen texts is that they are performative.<\/p>\n GR\u00c9GOIRE<\/p>\n Isn’t this the vocabulary work we started with the Dzogchen Today! Translation Committee?<\/p>\n PHILIPPE<\/p>\n Yes, exactly. For it to be performative, the breath of the text must be present. So there are two aspects: firstly, the formal aspect, which consists in translating the terms as accurately as possible, knowing that there are possible variations of the same term because of the diversity of semantic fields according to the context; secondly, the aspect of rendering the text into French, that is, the work of writing, which must allow an inspiring and direct access to the person who receives the text. This is not an easy task because we do not necessarily have a perfect realization of Dzogchen.<\/p>\n GR\u00c9GOIRE<\/p>\n We, the young translators, are learning Tibetan, and we have some knowledge of Sanskrit. Do you think we should deepen our knowledge of Sanskrit? Or should we rather look at the archaic Tibetan terms in the texts of radical Dzogchen?<\/p>\n PHILIPPE<\/p>\n It is interesting to note that Tibetan has not changed much since the ancient period [1]<\/strong><\/a>: there are just a few orthographic and grammatical variations. Tibetan was fixed quite quickly when written Tibetan appeared.<\/p>\n PAUL<\/p>\n There is the reform of Tibetan orthography during the ancient period which effectively fixed things [2]<\/strong><\/a>.<\/p>\n \u00a0(…) but in Dzogchen there are many terms that have not been translated from Sanskrit, that appear in Tibetan without an equivalent\u2026<\/p>\n<\/blockquote>\n GR\u00c9GOIRE<\/p>\n Could you give us some examples of the differences between the B\u00f6n and Nyingma Dzogchen texts [3]<\/strong><\/a>?<\/p>\n PHILIPPE<\/p>\n From the Dzogchen point of view, it is interesting to note that even the classical vocabulary that has passed into the Buddhist schools has, I think, been influenced by the Dzogchen view. The typical example is “sangye” (sangs rgyas<\/em>) which translates as “buddha” (which in Sanskrit simply means “awakened”) and which here means “purified” or “pure” for “sang” (sangs<\/em>) and “fully developed” for “gye” (rgyas<\/em>). If we take it from a purely gradualist point of view, it is purely Buddhist, because we will say that it is purified of all the veils and disturbing emotions and that at that moment, Buddhahood can blossom and manifest fully. But if you look at it from a Dzogchen point of view, it’s simply “kadak” (ka dag<\/em>), primordial purity, and “lhundrup” (lhun grub<\/em>), spontaneous perfection. So I suspect that they choose the term “sangye” to translate “buddha” because there were Dzogchen viewholders, the ancestors of the Nyingmapas<\/a> in the 8th century. And it is the same with “changchoup sem” (byang chub sems<\/em>): certainly, when translating a Tibetan text coming from Mahayana Buddhism, you have to translate “mind of awakening”, bodhicitta<\/em> in Sanskrit; but for Dzogchen, it is “pure and perfect mind”, which also refers to primordial purity and spontaneous presence.<\/p>\n GR\u00c9GOIRE<\/p>\n Are these really your own personal creations and reflections?<\/p>\n PHILIPPE<\/p>\n Actually, it’s also a reflection on the B\u00f6npos, because they\u2019re not supposed to refer to Sanskrit sources, but they use the term “changchoup s\u00e9m” much more than the Nyingmapas. They even use it more than “rigpa” (rig pa<\/em>). Because there is an archaic aspect to B\u00f6npo Dzogchen in terms of terminology, choices have been made, and contrary to what the historiography tells us, which tries to create a rivalry between the B\u00f6npos and the Buddhists of the time, I think there are many who have collaborated.<\/p>\n PAUL<\/p>\n Yes, Dr\u00e8npa Namkha, Bairotsana…<\/p>\n PHILIPPE<\/p>\n … who were on both sides! I think there were collaborations in forging terms. That’s interesting! These are Sanskrit terms that have been translated in a particular way, but in Dzogchen there are many terms that have not been translated from Sanskrit, that appear in Tibetan without an equivalent\u2026<\/p>\n GR\u00c9GOIRE<\/p>\n … without necessarily coming from earlier languages or other regions? The language of Zhang Zhung [4]<\/strong><\/a> for example?<\/p>\n PHILIPPE<\/p>\n There are certain terms that can be attributed to the Zhang Zhung language that is now attested. It is a true<\/em> language, whereas in the past it has often been questioned by saying that it is a reconstruction. But it is not a reconstruction, there really is a vocabulary of Zhang Zhung that has been forged. Sometimes it can be compared to the vocabulary of Kashmiri Tantric Shivaism, but not always.<\/p>\n [\/et_pb_text][et_pb_image src=”https:\/\/dzogchentoday.org\/wp-dzogtodaychen-content\/uploads\/2022\/09\/DSCF7823.jpg” title_text=”dzogchentoday-philippe-cornu” align=”center” _builder_version=”4.21.0″ _module_preset=”default” width=”67%” module_alignment=”center” box_shadow_style=”preset2″ global_colors_info=”{}”][\/et_pb_image][et_pb_text _builder_version=”4.21.0″ _module_preset=”default” text_font=”Vidaloka||||||||” global_colors_info=”{}”]<\/p>\n Philippe Cornu<\/p>\n [\/et_pb_text][et_pb_text quote_border_weight=”0px” quote_border_color=”rgba(0,0,0,0)” _builder_version=”4.21.0″ text_font=”Montserrat||||||||” text_font_size=”18px” text_line_height=”1.8em” link_font=”Montserrat|700|on|||||#000000|” link_text_color=”#BF9E77″ quote_font=”Cormorant Garamond|700|||||||” quote_text_color=”#13204d” quote_line_height=”1.3em” header_font=”|700|||||||” header_2_font=”Quattrocento Sans|700|||||||” header_2_text_color=”#13204d” header_2_line_height=”1.6em” header_3_font=”|700|||||||” header_3_text_color=”#000000″ header_4_letter_spacing=”12px” header_5_font=”|300|||||||” header_5_text_color=”#bfbfbf” header_5_letter_spacing=”12px” header_6_font=”|700|||||||” header_6_letter_spacing=”12px” module_alignment=”left” custom_margin_tablet=”” custom_margin_phone=”” custom_margin_last_edited=”on|tablet” custom_padding=”29px|||||” quote_font_size_tablet=”” quote_font_size_phone=”” quote_font_size_last_edited=”on|desktop” saved_tabs=”all” locked=”off” global_colors_info=”{}”]<\/p>\n GR\u00c9GOIRE<\/p>\n Do you have an example?<\/p>\n PHILIPPE<\/p>\n There are analogies… For example, we speak of “sounds, lights, rays”, a vocabulary that really comes from the b\u00f6npos; but “sound” brings to mind the Shiva term “spanda<\/a>“, the primordial vibration that comes from “paramashiva<\/a>“, the Supreme Shiva.<\/p>\n GREGOIRE<\/p>\n In fact, the translation process has to take into account the potential influences of several traditions and practices.<\/p>\n PHILIPPE<\/p>\n You have to remember that it was yogis who exchanged information and vocabulary.<\/p>\n PAUL<\/p>\n During the reign of Trisong D\u00e9ts\u00e8n<\/a>, the Tibetan Empire was very large and there was a lot of traffic on the trade routes. It is also known that some of the translators were not always born in central Tibet, for example Yeshe De [5]<\/strong><\/a> was from Samarkand. So the linguistic knowledge of the translators was probably more extensive than we think.<\/p>\n GREGOIRE<\/p>\n In the modern world, we are used to making very clear distinctions between traditions: there are “Christians”, “Muslims”, “Hindus”… and we don’t see enough of the potential bridges between all these traditions.<\/p>\n PHILIPPE<\/p>\n Whereas if you go to Nepal, you can see that the places are Hindu and<\/em> Buddhist, dedicated to Guru Rinpoche<\/a> and<\/em> Shiva<\/a>… and Guru Rinpoche, if you look closely, has Shiva attributes! So the choice of translation is influenced by many factors!<\/p>\n <\/p>\n End of the first part of the interview<\/strong>.<\/p>\n [\/et_pb_text][et_pb_divider color=”#FFD62F” divider_position=”center” divider_weight=”3px” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_divider][et_pb_text module_id=”down” _builder_version=”4.21.0″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [1]<\/strong> 8th century<\/p>\n [2]<\/strong> Translators reformed Tibetan spelling to simplify and standardize it in 816 during the reign of Senaleg (Wylie: Sad na legs). They set the standard for what came to be known as classical Tibetan.<\/p>\n [3]<\/strong> The B\u00f6n and Nyingma Dzogchen are the two distinct lineages of the Great Perfection of the great Tibetan traditions: the B\u00f6n tradition originates from Master T\u00f6npa Shenrab Miwo and is dated to about two thousand years before our era. But the dates vary between sources. See for instance : John V. Bellezza, gShen-rab Myi-bo. His life and times according to Tibet\u2019s earliest literary sources<\/em>.<\/a> The Nyingma tradition originates from the master Garab Dorje and is dated around the first century AD. But here again the dating varies. See for exemple, among others : John M. Reynolds<\/a>, The Golden Letters. The Tibetan Teachings of Garab Dorje, First Dzogchen Master<\/em>, Snow Lion, 2012<\/a>.<\/p>\n<\/ul>\n
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