{"id":55121,"date":"2023-03-22T09:00:25","date_gmt":"2023-03-22T08:00:25","guid":{"rendered":"https:\/\/dzogchentoday.org\/?p=55121"},"modified":"2023-04-07T11:52:54","modified_gmt":"2023-04-07T09:52:54","slug":"le-chant-de-levidence-primordiale","status":"publish","type":"post","link":"https:\/\/dzogchentoday.org\/fr\/le-chant-de-levidence-primordiale\/","title":{"rendered":"Le chant de l’\u00e9vidence primordiale"},"content":{"rendered":"

[et_pb_section fb_built=”1″ _builder_version=”4.18.1″ _module_preset=”default” custom_padding=”1px||0px|||” global_colors_info=”{}”][et_pb_row _builder_version=”4.18.1″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.18.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_image src=”https:\/\/dzogchentoday.org\/wp-dzogtodaychen-content\/uploads\/2023\/03\/dzogchentoday-th-song-of-primordial-evidence.jpg” alt=”dzogchentoday-the-song-of-primordial-evidence.jpg” title_text=”The Song of Primordial Evidence” align=”center” _builder_version=”4.20.2″ _module_preset=”default” width=”52%” module_alignment=”center” global_colors_info=”{}”][\/et_pb_image][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ admin_label=”Feature 14″ _builder_version=”4.16″ background_color=”#ffffff” custom_padding=”2px||0px|||” locked=”off” global_colors_info=”{}”][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ custom_padding=”||0px||false|false” border_width_bottom=”1px” border_color_bottom=”#d9c6a4″ global_colors_info=”{}”][et_pb_column type=”1_2″ module_class=”column1″ _builder_version=”4.16″ custom_padding=”|||” custom_padding_tablet=”||50px|” custom_padding_phone=”” custom_padding_last_edited=”on|tablet” global_colors_info=”{}” padding_tablet=”||50px|” padding_last_edited=”on|tablet” custom_padding__hover=”|||” padding_phone=”||50px|”][et_pb_blurb title=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9hdXRob3IiLCJzZXR0aW5ncyI6eyJiZWZvcmUiOiJcdTAwYzljcml0IHBhciAiLCJhZnRlciI6IiIsIm5hbWVfZm9ybWF0IjoiZGlzcGxheV9uYW1lIiwibGluayI6Im9uIiwibGlua19kZXN0aW5hdGlvbiI6ImF1dGhvcl9hcmNoaXZlIn19@” image=”https:\/\/dzogchentoday.org\/wp-dzogtodaychen-content\/uploads\/2022\/11\/logoDzogTodVDEF.jpg” alt=”dzogchentoday-paul Baffier” icon_placement=”left” image_icon_width=”33px” _builder_version=”4.20.2″ _dynamic_attributes=”title,content” header_font=”|700|||||||” header_font_size=”20px” custom_margin=”||-2px|||” header_font_size_tablet=”” header_font_size_phone=”18px” header_font_size_last_edited=”on|phone” icon_font_size=”33px” global_colors_info=”{}” icon_color__hover_enabled=”on|desktop” icon_color__hover=”#13204d”]@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9hdXRob3JfYmlvIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIifX0=@[\/et_pb_blurb][\/et_pb_column][et_pb_column type=”1_2″ module_class=”column2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_blurb title=”@ET-DC@eyJkeW5hbWljIjp0cnVlLCJjb250ZW50IjoicG9zdF9jYXRlZ29yaWVzIiwic2V0dGluZ3MiOnsiYmVmb3JlIjoiIiwiYWZ0ZXIiOiIiLCJsaW5rX3RvX3Rlcm1fcGFnZSI6Im9uIiwic2VwYXJhdG9yIjoiIHwgIiwiY2F0ZWdvcnlfdHlwZSI6ImNhdGVnb3J5In19@” use_icon=”on” font_icon=”||divi||400″ icon_color=”#e2e2e2″ icon_placement=”left” image_icon_width=”33px” _builder_version=”4.20.2″ _dynamic_attributes=”title” header_font=”|700|||||||” header_font_size=”20px” body_text_color=”#967b5d” custom_margin=”||0px|” custom_padding=”||26px|||” header_font_size_tablet=”” header_font_size_phone=”18px” header_font_size_last_edited=”on|phone” icon_font_size=”33px” locked=”off” global_colors_info=”{}” icon_color__hover=”#13204d” icon_color__hover_enabled=”on”]<\/p>\n

Le chant de l’\u00e9vidence primordiale est l’un des textes fondamentaux les plus importants du Dzogch\u00e8n. Traduit par le Comit\u00e9 Dzogchen Today!<\/p>\n

[\/et_pb_blurb][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”0px||0px||true” global_colors_info=”{}”][et_pb_row _builder_version=”4.16″ custom_padding=”2px||0px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text module_id=”back-1″ _builder_version=”4.20.2″ _module_preset=”default” text_font=”Montserrat||||||||” text_orientation=”center” custom_margin=”||0px|||” global_colors_info=”{}”]<\/p>\n

\u00a0<\/h2>\n

Le Chant de l\u2019\u00c9vidence primordiale<\/em><\/h2>\n

En langue de l\u2019Inde\u00a0: \u201cSantidarpa\u201d.<\/em><\/strong><\/p>\n

En tib\u00e9tain : rdzogs pas chen po sa gcig pa<\/strong><\/p>\n

En fran\u00e7ais : \u201cLa Terre unique de la Grande Perfection\u201d.<\/em><\/strong><\/p>\n

[\/et_pb_text][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.16″ custom_padding=”0px||0px||true” global_colors_info=”{}”][et_pb_row _builder_version=”4.20.2″ custom_padding=”||0px|” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Montserrat||||||||” text_orientation=”center” global_colors_info=”{}”]<\/p>\n

Svasti !<\/em><\/p>\n

Hommage \u00e0 la Radiance des radiances, le Victorieux Samantabhadra,<\/p>\n

Grande F\u00e9licit\u00e9 spontan\u00e9ment parfaite des Trois Vajras*<\/strong> du Corps, de la Parole et de l\u2019Esprit !<\/p>\n

L\u2019expression naturelle de la vari\u00e9t\u00e9 des ph\u00e9nom\u00e8nes est non-duelle,<\/p>\n

De m\u00eame, les ph\u00e9nom\u00e8nes individuels sont d\u00e9nu\u00e9s d\u2019\u00e9laborations conceptuelles.<\/p>\n

Bien que l\u2019on pense \u201cc\u2019est ceci\u201d ou \u201cc\u2019est cela\u201d,<\/p>\n

Les formes dans leur ensemble sont totalement pures,**<\/strong><\/p>\n

Et comme on le reconna\u00eet, on abandonne la maladie de l\u2019effort,<\/p>\n

En demeurant naturellement, l\u2019\u00e9tat primordial s\u2019\u00e9tablit spontan\u00e9ment.<\/p>\n

Ainsi s\u2019ach\u00e8ve \u201cLe Chant de l\u2019\u00e9vidence primordiale, esprit pur et parfait\u201d.<\/em><\/p>\n

[\/et_pb_text][et_pb_divider color=”#f2f2f2″ _builder_version=”4.16″ global_colors_info=”{}”][\/et_pb_divider][\/et_pb_column][\/et_pb_row][\/et_pb_section][et_pb_section fb_built=”1″ _builder_version=”4.19.1″ _module_preset=”default” custom_padding=”0px|||||” global_colors_info=”{}”][et_pb_row _builder_version=”4.19.1″ _module_preset=”default” custom_padding=”1px|||||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.19.1″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.20.2″ _module_preset=”default” text_font=”Montserrat||||||||” text_font_size=”16px” global_colors_info=”{}”]<\/p>\n

 <\/p>\n

*<\/strong>Note 1 : les Trois Vajras : les trois aspects indestructibles du Corps, de la Parole et de l\u2019Esprit \u00e9veill\u00e9s.<\/p>\n

**<\/strong>Note 2 : la traduction de rnam par snang mdzad kun tu bzang : <\/em>d\u00e9signe \u00e0 la fois Samantabhadra, le \u201cBien primordial\u201d et son \u201crayonnement\u201d Vairocana. Il s\u2019agit donc d\u2019une assimilation des deux. ll est \u00e0 noter que le traducteur de ce texte, parfois consid\u00e9r\u00e9 comme son auteur, s\u2019appelait Bairotsana.<\/p>\n

Cette version de ce texte s\u00e9minal du Dzogch\u00e8n provient du rnying ma rgyud \u2018bum, l\u2019anthologie des textes de l\u2019\u00e9cole des Anciens. Le texte appara\u00eet \u00e9galement dans la liste des Cinq traductions anciennes<\/em>, appel\u00e9 byang chub sems rig pa khu byug<\/em> : Le chant de l\u2019\u00e9vidence primordiale, esprit pur et parfait.<\/em><\/strong><\/p>\n

Version tib\u00e9taine (Wylie) du\u00a0rNying-ma rGyud-‘bum\u00a0<\/span>:<\/p>\n

rgya.gar.skad.du\/ san.ti.dar.pa\/ bod.skac.du\/rdzogs.pa.chen.po.sa.gcig.pa\/ Svasti: dpal.gyi.dpai\/ bcom.idan.hdas\/kun.tu.bzang.po\/ sku.gsung.thugs.rdo.rje.bde.wa.chen.po.la.phyag.htshal.lo\/ \/ (1) sna.tshogs.rang.bzhin.myi.gnyis.kyang\/ (2) cha.shas.nyid.du.spros.dang.bral\/ (3) ji.bzhin.pa.zhes.mi.rtogs.kyang\/ (4) rnam.par.snang.mdzad.kun.tu.bzang (5) zin.pas.rtsol.ba’inad.spangs.te\/ (6) lhun.gyis. gnas.pas.bzhag.1 pa.yin\/ Byang.chub.kyi.sems.rig.pa.khu.byug.rdzogs.so\/<\/em><\/p>\n

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Le chant de l’\u00e9vidence primordiale est l’un des textes fondamentaux les plus importants du Dzogch\u00e8n. 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